Eric McGarry, As I Am, As You Were Review
Eric McGarry, As I Am, As You Were Review by Stamish Malcuss Eric McGarry’s debut album, As I Am, As You Were, is a striking first…
Eric McGarry, As I Am, As You Were Review by Stamish Malcuss Eric McGarry’s debut album, As I Am, As You Were, is a striking first…
Bryan Lubeck, Welcome Winter Review Bryan Lubeck’s Welcome Winter: Embracing the Season with Strings of Nostalgia by Jeff Becker Bryan Lubeck’s latest album, Welcome Winter, released…
Jan Alexander, Storm Before the Calm Review by Stamish Malcuss In his latest offering, Storm Before the Calm, Jan Alexander invites us into a reflective…
Eddie Henderson, Witness to History Review Echoes of a Storied Trumpet: Eddie Henderson’s Witness to History by Icrom Bigrad Eddie Henderson’s Witness to History is a…
The Moore-McColl Jazz Society, Up and Gone Review by Stamish Malcuss The Moore-McColl Jazz Society is back with another fine album in the realm of…
John Scofield, Uncle John’s Band Review John Scofield’s Uncle John’s Band – A Confluence of Jazz Traditions and Sonic Experimentation by Stamish Malcuss John Scofield’s…
Laura Misch, Sample the Sky Review Nature in Harmony: Laura Misch’s Sample the Sky by Icrom Bigrad Laura Misch’s debut album, Sample the Sky, contextualizes the thematic and…
The Black Gold Orchestra, Genesis Review A Symphony of Unity: Black Gold Orchestra’s Debut Album Genesis by Stamish Malcuss Jazz is a musical genre celebrated…
Cecile McLorin Salvant, Mélusine Review by Stamish Malcuss The allure of Cecile McLorin Salvant’s latest odyssey, Mélusine, is tantalizing and complex, as it should be for…
Jennifer Wharton’s Bonegasm, Grit & Grace Review Jennifer Wharton’s Trombone Revelations: A Deep Dive into Grit & Grace By Stamish Malcuss Bass trombonist Jennifer Wharton…