Jaleel Shaw, Painter of the Invisible Review
Jaleel Shaw, Painter of the Invisible Review by Icrom Bigrad Jaleel Shaw is back after a 13-year hiatus with a contemporary spiritual jazz purpose. Painter…
Jaleel Shaw, Painter of the Invisible Review by Icrom Bigrad Jaleel Shaw is back after a 13-year hiatus with a contemporary spiritual jazz purpose. Painter…
Kieran Brown, Loving You Review By Stamish Malcuss For those who believe the American Songbook is a living tradition, not a museum piece, Kieran Brown’s…
Joshua Redman, Worlds Fall Short Review By Jeff Becker Joshua Redman’s Words Fall Short offers a compositionally unified set of eight Redman originals. The writing and…
Dave Anderson, In Lieu of Flowers Review by Stamish Malcuss In memorial and in motion, this is the elegant dialectic at the heart of In…
The Beveled Edges, I Guess We’re Not Alone Review by Icrom Bigrad Born from a cold New York afternoon and warmed by a shared creative flame,…
Gaia Wilmer & Ra Kalam Bob Moses, Dancing with Elephants Review By Jeff Becker Gaia Wilmer and Ra Kalam Bob Moses’ collaboration, Dancing with Elephants,…
The Mighty Mocambos, A Higher Frequency Review By Icrom Bigrad The Mighty Mocambos play funk. They breathe it, stretch it, and baptize it in jazz…
Dena DeRose, Mellow Tones Review by Stamish Malcuss Dena DeRose’s Mellow Tones (HighNote, 2025) offers intimacy, swing, and musical clarity. Featuring her longtime collaborators Martin…
Dred Scott, Cali Mambo Review By Jeff Becker Dred Scott’s eclectic career, marked by vibrant collaborations with luminaries such as Liza Minnelli and Nina Hagen,…
DIVA Jazz Orchestra, A Celebration of Maurice Hines, Tappin’ Through Life Review By Jeff Becker There are jazz records, and then there are time capsules….