Lauren Henderson, Sonidos Review
Lauren Henderson, Sonidos Review By Stamish Malcuss Lauren Henderson’s Sonidos, released August 1, 2025 on Brontosaurus Records, is an album built on the heritage of…
Lauren Henderson, Sonidos Review By Stamish Malcuss Lauren Henderson’s Sonidos, released August 1, 2025 on Brontosaurus Records, is an album built on the heritage of…
Nick Biello, New America Review by Jeff Becker Nick Biello has released his third leader album, New America, a six-song set of modern hard-bop explorations. Having honed…
LA LOM, Live At Thalia Hall Review by Stamish Malcuss To a sold-out crowd on March 2024, the trio known as LA LOM captured their…
Neff Irizarry, Cambio Review By Icrom Bigrad From the opening bars of Cambio (Change), guitarist Neff Irizarry and his crew make it clear this is…
Enrique Haneine, Conceivable Directions Review By Stamish Malcuss Enrique Haneine’s Conceivable Directions is the product of a deliberately stripped-down, chordless quintet featuring Thomas Heberer on…
Nicholas Payton, TRIUNE Review by Icrom Bigrad To listen to TRIUNE is to witness a convergence of three leaders, three lifelines of modern creative music,…
Shawn Purcell, Oblivity Review by Jeff Becker Shawn Purcell’s Oblivity is a natural continuation of his previous work and a marked expansion of his compositional…
Deborah Silver, Basie Rocks! Review by Icrom Bigrad Deborah Silver’s Basie Rocks! (Green Hill Records, 2025) is a high-octane meeting of classic rock and swing-era jazz…
Kenny Wheeler, Some Days Are Better: The Lost Scores Review by Icrom Bigrad Some Days Are Better: The Lost Scores is a chance to hear…
Gabriel Alegría Afro-Peruvian Sextet, El Muki Review by Icrom Bigrad Gabriel Alegría and his Afro-Peruvian Sextet mark their twentieth anniversary with El Muki. Released on…