Deborah Silver, Basie Rocks! Review
Deborah Silver, Basie Rocks! Review by Icrom Bigrad Deborah Silver’s Basie Rocks! (Green Hill Records, 2025) is a high-octane meeting of classic rock and swing-era jazz…
Deborah Silver, Basie Rocks! Review by Icrom Bigrad Deborah Silver’s Basie Rocks! (Green Hill Records, 2025) is a high-octane meeting of classic rock and swing-era jazz…
Kenny Wheeler, Some Days Are Better: The Lost Scores Review by Icrom Bigrad Some Days Are Better: The Lost Scores is a chance to hear…
Gabriel Alegría Afro-Peruvian Sextet, El Muki Review by Icrom Bigrad Gabriel Alegría and his Afro-Peruvian Sextet mark their twentieth anniversary with El Muki. Released on…
Dan Moretti, Live at the Pump House Music Works Review By Jeff Becker When Dan Moretti stepped onstage at the Pump House Music Works with…
Art Hirahara, Peace Unknown Review by Stamish Malcuss Art Hirahara’s Peace Unknown is a vivid modern jazz program rooted in the rich history of jazz. Drawing…
Grupo Pagán, POWER! Review by Icrom Bigrad For over two decades, Grupo Pagán has been moving dance floors and turning heads with their high-octane blend…
Gonzalo Rubalcaba, Chris Potter, Larry Grenadier, Eric Harland, First Meeting: Live at Dizzy’s Club Review by Jeff Becker Great ensemble playing reveals itself in how…
Alexa Tarantino, The Roar and the Whisper Review by Jeff Becker With The Roar and the Whisper, Alexa Tarantino unveils her fifth studio album and…
Dee Dee Bridgewater & Bill Charlap, Elemental Review by Stamish Malcuss The art of the duo album is one of the most exposed and intimate…
Wayne Alpern, Gotham Review by Icrom Bigrad Wayne Alpern’s Gotham presents a compelling exploration of familiar melodies through his distinctive compositional lens. By reimagining thirteen…