Jeremy Pelt, Tomorrow’s Another Day Review
Jeremy Pelt, Tomorrow’s Another Day Review by Jeff Becker In his twenty-fourth album as a leader, trumpeter, and composer, Jeremy Pelt embarks on a daring…
Jeremy Pelt, Tomorrow’s Another Day Review by Jeff Becker In his twenty-fourth album as a leader, trumpeter, and composer, Jeremy Pelt embarks on a daring…
Sergio Pamies, Time to Say Review by Jeff Becker Granada-born pianist and composer Sergio Pamies brings a rich tapestry of cultural and musical influences to…
Antonio Faraò, Tributes Review by Jeff Becker Antonio Faraò’s latest album, Tributes, the gifted pianist, pays homage to the giants who have inspired his illustrious…
Julius Rodriguez, Evergreen Review by Stamish Malcuss Multi-instrumentalist and composer Julius Rodriguez has crafted his artistry with various sounds and styles. At 23, the Westchester…
Denin Slage-Koch, It Comes in Waves Review by Jeff Becker Denin Slage-Koch’s release, It Comes in Waves, is a palpable jazz listen. With It Comes…
Eric Alexander, Timing Is Everything Review by Jeff Becker In the ever-evolving landscape of contemporary jazz, Eric Alexander’s latest release, Timing Is Everything, emerges as…
Olivia Foschi, A Window Within Review by Icrom Bigrad Olivia Foschi delivers personal narratives into the fabric of her music that intricately and emotively will…
Alexis Valet, Following the Sun Review by Icrom Bigrad In the fall of 2022, French jazz vibraphonist Alexis Valet embarked on a journey that would…
Mariah Parker, Windows Through Time Review by Jeff Becker Mariah Parker’s latest album, Windows Through Time, explores Latin jazz, weaving together memorable compositions, a stellar ensemble,…
Lis Wessberg, Twain Walking Review by Stamish Malcuss Danish trombonist Lis Wessberg, a stalwart of the jazz scene, returns with her sophomore album, Twain Walking, released…