Samara Joy, Portrait Review
Samara Joy, Portrait Review by Stamish Malcuss Samara Joy’s Portrait reveals another side of this influential young artist’s ability to transcend the genre boundaries of…
Samara Joy, Portrait Review by Stamish Malcuss Samara Joy’s Portrait reveals another side of this influential young artist’s ability to transcend the genre boundaries of…
Philip Weberndoerfer, Tides Review by Jeff Becker Guitarist and composer Philip Weberndoerfer’s debut album, Tides, released on August 23, 2024, via Shifting Paradigm Records, marks…
Avishai Cohen, Ashes to Gold Review by Stamish Malcuss Avishai Cohen’s latest ECM release, Ashes to Gold, offers music that reflects on the turbulence of…
Tord Gustavsen Trio, Seeing Review by Stamish Malcuss With Seeing, Tord Gustavsen returns to the trio format that has garnered critical acclaim since his debut…
Dharma Down, Owl Dreams Review by Jeff Becker On their debut album, Owl Dreams, Dharma Down delves into a space where modern jazz and ancient…
Walter Smith III, Three of Us Are from Houston and Reuben Is Not Review by Icrom Bigrad Walter Smith III’s sophomore Blue Note release, Three…
The CNY Jazz Orchestra, If a White Horse from Jerusalem Review by Stamish Malcuss The Central New York Jazz Orchestra’s latest release, If a White…
Simon Moullier, Elements of Light Review by Icrom Bigrad In Elements of Light, Simon Moullier skillfully bridges tradition and modernity, introducing a unique blend of…
Marquis Hill, Composers Collective: Beyond the Jukebox Review by Stamish Malcuss Marquis Hill’s latest release, Composers Collective: Beyond the Jukebox, blends jazz tradition with today’s…
Misha Tsiganov, Painter of Dreams Review by Stamish Malcuss In Painter of Dreams, Misha Tsiganov captures the boundless spirit of modern jazz piano, weaving together…