by Jeff Becker

On four cover tunes Meadows shows his arranging skills, which include Michael Jackson’s “Rock With You,” Dizzy Gillespie’s “Groovin’ High,” “Come Together” by Lennon-McCartney, and a solo piano rendition of Billy Strayhorn’s “Lush Life.” All four selections have been well-traversed over the years and many have used them as improvisational vehicles, but Meadows keeps it fresh by adding some truly creative touches without deconstructing the tunes into unrecognizable renditions.
“Rock With You” is given a 5/4 groove intro that effortlessly segues to 4/4 feel for the verse. Meadows displays confident singing and well-placed vocal harmonies by the chorus which adds just the right interest. A return to a 5/4 feel with an interlude before Bollenback’s solo, then is layered over a nice 6/8 feel. When reading this concept on paper one might think this will sound distracting, but Meadows seamlessly connects the details into a flawless flow.
These two examples are only that; examples of the exemplary work and ideas of a composer, arranger and performer who reside in one very talented Mark Meadows. His arranging skills are inventive, interesting and well beyond his young years. His vocal style is a modern sound with an almost crossover appeal. The sound of jazz is growing daily, and the younger generation is trumpeting their sound, Meadows is at the forefront of that creative wave, definitely one to watch.
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