David Hazeltine, Blues for Berry Review
David Hazeltine, Blues for Berry Review by Icrom Bigrad Blues for Gerry marks David Hazeltine’s return to the Criss Cross and serves as a homage…
David Hazeltine, Blues for Berry Review by Icrom Bigrad Blues for Gerry marks David Hazeltine’s return to the Criss Cross and serves as a homage…
Tadataka Unno, I Am, Because You Are Review Resilience in Harmony: Tadataka Unno’s I Am, Because You Are – A Triumph of Musical Resurgence by…
Mengamo Trio, Chat Bizarre Review by by Icrom Bigrad After their critically acclaimed debut album, The One, the Mengamo Trio – comprising of guitarist Philipp Brämswig, Hammond…
Noga Ritter, Ima Review by Triana Klostman From the vibrant creative hub of London’s music scene emerges the eclectic singer-songwriter Noga Ritter, who, with her 9-piece…
Sergi Felipe, Biased Vision Review by Stamish Malcuss In the vibrant world of the European Jazz scene, Sergi Felipe is building a reputation for innovation,…
Melvin Smith, Perseverance Review by Jeff Becker Melvin Smith, an accomplished saxophonist, arranger, and composer, continues to showcase his adaptability and deep love for jazz…
Joe Farnsworth, In What Direction Are You Headed? Review by Jeff Becker Joe Farnsworth’s album In What Direction Are You Headed? is an exciting new chapter in…
ARTEMIS, In Real Time Review Embracing the Wild: ARTEMIS’ ‘In Real Time’ Channels the Untamed Spirit of the Goddess by Stamish Malcuss ARTEMIS, an all-female…
Christopher McBride, Ramon Review by Icrom Bigrad Harlem-based saxophonist Christopher McBride is a versatile musician of many talents, ranging from education and composition to an…
Arturo O’Farrill, Legacies Review by Jeff Becker Pianist and 8-time GRAMMY-winner Arturo O’Farrill revisits his foremost passion, the piano, in his new Blue Note album,…