Pat Bianchi, Three Review
Pat Bianchi, Three Review by Jeff Becker Pat Bianchi’s album Three presents a unique fusion of traditional jazz influences with a fresh, innovative approach, a departure from…
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Danette McMahon, No More Excuses Review
Danette McMahon, No More Excuses Review by Stamish Malcuss Danette McMahon’s debut jazz album, No More Excuses, is a self-released collection of songs that represents…
Fred Hersch, Silent, Listening Review
Fred Hersch, Silent, Listening Review by Stamish Malcuss Released by ECM Records on April 19, 2024, Silent, Listening by Fred Hersch enriches the label’s innovative solo piano…
Vin Venezia, The Venetian Review
Vin Venezia, The Venetian Review By Icrom Bigrad Vin Venezia’s The Venetian is a guitar-fronted album built on the power of musical storytelling through the six strings….
Chris Potter, Eagle’s Point Review
Chris Potter, Eagle’s Point Review by Jeff Becker Chris Potter’s latest album, Eagle’s Point, is another outstanding addition to the modern jazz landscape, signifying a rare assembly…
Grace Kelly, At The Movies Review
Grace Kelly, At The Movies Review by Icrom Bigrad Grace Kelly’s latest project, At The Movies, is a set of music where jazz and cinematic…
Troy Roberts, Green Lights Review
Troy Roberts, Green Lights Review by Jeff Becker In the lush, ever-evolving landscape of modern jazz, few artists manage to encapsulate its rich history and…
Dave Pietro, The Talisman Review
Dave Pietro, The Talisman Review by Stamish Malcuss Dave Pietro’s latest offering, The Talisman, his debut release under the auspices of SteepleChase, a label synonymous…
Esperanza Spalding, Não Ao Marco Temporal Review
Esperanza Spalding, Não Ao Marco Temporal Review by Icrom Bigrad Esperanza Spalding’s single “Não Ao Marco Temporal” is a beautiful traditional Brazilian based song, and,…
Andy Ezrin, I Was Here Review
Andy Ezrin, I Was Here Review by Stamish Malcuss In the history of Jazz, the piano has long been an instrument of ubiquity and transcendence….