by Jeff Becker

The tender slowness of “Intro” is a nice contrast to the pace, Asai’s solo piano playing is beautiful and calls to mind the sounds of impressionism, and well it is the French trio after all. The pace is picked up with “I Remember the Castle,” Asai’s playing is fiery, Combeau’s solo is revealing in hyperactive and the trio seems to exude liveliness. The sound evolves into extended melodic phrases in “Snow Dance” with the piano flowing over the solid time of the bass and drums; then the closer, “Fleurette,” shimmers delicately with wonderful chords and patient phrasing building to a climax and then completing our journey.
Asai has a special ability to coax freshness and meld the better of two worlds, all for our listening pleasure.
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