Bria Skonberg, What It Means Review
Bria Skonberg, What It Means Review by Icrom Bigrad Bria Skonberg, the acclaimed Canadian trumpeter, vocalist, and songwriter, continues to captivate with her latest release,…
Reviews
Al Di Meola, Twentyfour Review
Al Di Meola, Twentyfour Review by Stamish Malcuss Al Di Meola’s latest offering, Twentyfour, reflects the enduring brilliance and versatility of one of the most…
Bill Laurance, Bloom Review
Bill Laurance, Bloom Review by Stamish Malcuss Pianist and composer Bill Laurance has been releasing his own recordings since 2014’s Flint and has since released…
Leigh Pilzer’s Seven Pointed Star, Beatin’ the Odds Review
Leigh Pilzer’s Seven Pointed Star, Beatin’ the Odds Review by Jeff Becker As jazz listeners, swing is revered as the heartbeat of a golden era….
Sticky Wicked, Nightfall Review
Sticky Wicked, Nightfall Review by Icrom Bigrad Coming from the mindset of electric jazz, jazz-rock, and funk, Sticky Wicked is a compelling new ensemble with…
Jeremy Pelt, Tomorrow’s Another Day Review
Jeremy Pelt, Tomorrow’s Another Day Review by Jeff Becker In his twenty-fourth album as a leader, trumpeter, and composer, Jeremy Pelt embarks on a daring…
Sergio Pamies, Time to Say Review
Sergio Pamies, Time to Say Review by Jeff Becker Granada-born pianist and composer Sergio Pamies brings a rich tapestry of cultural and musical influences to…
Antonio Faraò, Tributes Review
Antonio Faraò, Tributes Review by Jeff Becker Antonio Faraò’s latest album, Tributes, the gifted pianist, pays homage to the giants who have inspired his illustrious…
Julius Rodriguez, Evergreen Review
Julius Rodriguez, Evergreen Review by Stamish Malcuss Multi-instrumentalist and composer Julius Rodriguez has crafted his artistry with various sounds and styles. At 23, the Westchester…
Denin Slage-Koch, It Comes in Waves Review
Denin Slage-Koch, It Comes in Waves Review by Jeff Becker Denin Slage-Koch’s release, It Comes in Waves, is a palpable jazz listen. With It Comes…