Griffin Woodard Group, Completion Review
Griffin Woodard Group, Completion Review by Stamish Malcuss The Griffin Woodard Group, a close-knit ensemble of accomplished musicians, has embarked on a journey of shared…
Griffin Woodard Group, Completion Review by Stamish Malcuss The Griffin Woodard Group, a close-knit ensemble of accomplished musicians, has embarked on a journey of shared…
Cecilie Strange, Beyond Review by Jeff Becker In her latest oeuvre, Cecilie Strange delves into the introspective realms of sound, rendering Beyond a poignant tribute to…
Jared Sims, Hellbender: The Resistance Review by Stamish Malcuss Pushing against the genre-defying sounds of traditional jazz is Jared Sims’ Hellbender: The Resistance. Sims has created…
David Hazeltine, Blues for Gerry Review by Icrom Bigrad Blues for Gerry marks David Hazeltine’s return to the Criss Cross and serves as a homage…
Tadataka Unno, I Am, Because You Are Review Resilience in Harmony: Tadataka Unno’s I Am, Because You Are – A Triumph of Musical Resurgence by…
Mengamo Trio, Chat Bizarre Review by Icrom Bigrad After their critically acclaimed debut album, The One, the Mengamo Trio – comprising of guitarist Philipp Brämswig, Hammond organist…
Noga Ritter, Ima Review by Triana Klostman From the vibrant creative hub of London’s music scene emerges the eclectic singer-songwriter Noga Ritter, who, with her 9-piece…
Sergi Felipe, Biased Vision Review by Stamish Malcuss In the vibrant world of the European Jazz scene, Sergi Felipe is building a reputation for innovation,…
Melvin Smith, Perseverance Review by Jeff Becker Melvin Smith, an accomplished saxophonist, arranger, and composer, continues to showcase his adaptability and deep love for jazz…
Joe Farnsworth, In What Direction Are You Headed? Review by Jeff Becker Joe Farnsworth’s album In What Direction Are You Headed? is an exciting new chapter in…