The Moore-McColl Jazz Society, Up and Gone Review
The Moore-McColl Jazz Society, Up and Gone Review by Stamish Malcuss The Moore-McColl Jazz Society is back with another fine album in the realm of…
The Moore-McColl Jazz Society, Up and Gone Review by Stamish Malcuss The Moore-McColl Jazz Society is back with another fine album in the realm of…
John Scofield, Uncle John’s Band Review John Scofield’s Uncle John’s Band – A Confluence of Jazz Traditions and Sonic Experimentation by Stamish Malcuss John Scofield’s…
Laura Misch, Sample the Sky Review Nature in Harmony: Laura Misch’s Sample the Sky by Icrom Bigrad Laura Misch’s debut album, Sample the Sky, contextualizes the thematic and…
The Black Gold Orchestra, Genesis Review A Symphony of Unity: Black Gold Orchestra’s Debut Album Genesis by Stamish Malcuss Jazz is a musical genre celebrated…
Cecile McLorin Salvant, Mélusine Review by Stamish Malcuss The allure of Cecile McLorin Salvant’s latest odyssey, Mélusine, is tantalizing and complex, as it should be for…
Jennifer Wharton’s Bonegasm, Grit & Grace Review Jennifer Wharton’s Trombone Revelations: A Deep Dive into Grit & Grace By Stamish Malcuss Bass trombonist Jennifer Wharton…
Metropolitan Jazz Octet, The Bowie Project Review Metropolitan Jazz Octet: Jazz Meets Bowie Reverent Odyssey by Jeff Becker When legends from disparate realms converge, the outcome…
Connor O’Neill, The Same Changes, Vol. II Review Finding the New in the Familiar: A Journey Through Connor O’Neill’s The Same Changes, Vol. II by…
Affinity Trio, Hindsight Review Rhythm Without Drums: Affinity Trio’s Hindsight Unfolds an Intimate, Panoramic Jazz Landscape By Icrom Bigrad Trios are intimate, and magic will…
Kane Kalas, High Hopes Review High Hopes: Kane Kalas Revives the Golden Age with a Contemporary Twist By Stamish Malcuss In the musical sphere, it’s…