Alexis Valet, Following the Sun Review
Alexis Valet, Following the Sun Review by Icrom Bigrad In the fall of 2022, French jazz vibraphonist Alexis Valet embarked on a journey that would…
Alexis Valet, Following the Sun Review by Icrom Bigrad In the fall of 2022, French jazz vibraphonist Alexis Valet embarked on a journey that would…
Mariah Parker, Windows Through Time Review by Jeff Becker Mariah Parker’s latest album, Windows Through Time, explores Latin jazz, weaving together memorable compositions, a stellar ensemble,…
Lis Wessberg, Twain Walking Review by Stamish Malcuss Danish trombonist Lis Wessberg, a stalwart of the jazz scene, returns with her sophomore album, Twain Walking, released…
Jon Menges, Spirit of 3, Spirit of 4 Review by Icrom Bigrad Spirit of 3, Spirit of 4 marries the intimate dialogues of a trio…
Melissa Aldana, Echoes of The Inner Prophet Review by Stamish Malcuss Melissa Aldana’s latest offering, Echoes of The Inner Prophet, sounds with the energy of Her…
Brian Bromberg, LaFaro Review by Jeff Becker In the annals of jazz history, specific figures stand as titans, their contributions reverberating through the ages. Scott…
Pat Bianchi, Three Review by Jeff Becker Pat Bianchi’s album Three presents a unique fusion of traditional jazz influences with a fresh, innovative approach, a departure from…
Danette McMahon, No More Excuses Review by Stamish Malcuss Danette McMahon’s debut jazz album, No More Excuses, is a self-released collection of songs that represents…
Fred Hersch, Silent, Listening Review by Stamish Malcuss Released by ECM Records on April 19, 2024, Silent, Listening by Fred Hersch enriches the label’s innovative solo piano…
Vin Venezia, The Venetian Review By Icrom Bigrad Vin Venezia’s The Venetian is a guitar-fronted album built on the power of musical storytelling through the six strings….