Bill Laurance, Bloom Review
Bill Laurance, Bloom Review by Stamish Malcuss Pianist and composer Bill Laurance has been releasing his own recordings since 2014’s Flint and has since released…
Bill Laurance, Bloom Review by Stamish Malcuss Pianist and composer Bill Laurance has been releasing his own recordings since 2014’s Flint and has since released…
Leigh Pilzer’s Seven Pointed Star, Beatin’ the Odds Review by Jeff Becker As jazz listeners, swing is revered as the heartbeat of a golden era….
Sticky Wicked, Nightfall Review by Icrom Bigrad Coming from the mindset of electric jazz, jazz-rock, and funk, Sticky Wicked is a compelling new ensemble with…
Jeremy Pelt, Tomorrow’s Another Day Review by Jeff Becker In his twenty-fourth album as a leader, trumpeter, and composer, Jeremy Pelt embarks on a daring…
Sergio Pamies, Time to Say Review by Jeff Becker Granada-born pianist and composer Sergio Pamies brings a rich tapestry of cultural and musical influences to…
Antonio Faraò, Tributes Review by Jeff Becker Antonio Faraò’s latest album, Tributes, the gifted pianist, pays homage to the giants who have inspired his illustrious…
Julius Rodriguez, Evergreen Review by Stamish Malcuss Multi-instrumentalist and composer Julius Rodriguez has crafted his artistry with various sounds and styles. At 23, the Westchester…
Denin Slage-Koch, It Comes in Waves Review by Jeff Becker Denin Slage-Koch’s release, It Comes in Waves, is a palpable jazz listen. With It Comes…
Eric Alexander, Timing Is Everything Review by Jeff Becker In the ever-evolving landscape of contemporary jazz, Eric Alexander’s latest release, Timing Is Everything, emerges as…
Olivia Foschi, A Window Within Review by Icrom Bigrad Olivia Foschi delivers personal narratives into the fabric of her music that intricately and emotively will…