Steve Davis, We See Review
Steve Davis, We See Review by Jeff Becker With We See, trombonist Steve Davis pays homage to the hard-bop jazz legacy that shaped his career…
Steve Davis, We See Review by Jeff Becker With We See, trombonist Steve Davis pays homage to the hard-bop jazz legacy that shaped his career…
Immanuel Wilkins, Blues Blood Review By Icrom Bigrad Immanuel Wilkins is back with his next Blue Note records release, Blues Blood. Wilkins burst onto the…
Stan Harrison, Some Poor Soul Has a Fire Review by Jeff Becker With Some Poor Soul Has a Fire, Stan Harrison shapes a universe all…
David Weiss Sextet, Auteur Review by Icrom Bigrad David Weiss’ Auteur, the latest release with his sextet, hits with the force of a well-honed ensemble…
Samara Joy, Portrait Review by Stamish Malcuss Samara Joy’s Portrait reveals another side of this influential young artist’s ability to transcend the genre boundaries of…
Philip Weberndoerfer, Tides Review by Jeff Becker Guitarist and composer Philip Weberndoerfer’s debut album, Tides, released on August 23, 2024, via Shifting Paradigm Records, marks…
Avishai Cohen, Ashes to Gold Review by Stamish Malcuss Avishai Cohen’s latest ECM release, Ashes to Gold, offers music that reflects on the turbulence of…
Tord Gustavsen Trio, Seeing Review by Stamish Malcuss With Seeing, Tord Gustavsen returns to the trio format that has garnered critical acclaim since his debut…
Dharma Down, Owl Dreams Review by Jeff Becker On their debut album, Owl Dreams, Dharma Down delves into a space where modern jazz and ancient…
Walter Smith III, Three of Us Are from Houston and Reuben Is Not Review by Icrom Bigrad Walter Smith III’s sophomore Blue Note release, Three…