Jan Alexander, Storm Before the Calm Review
Jan Alexander, Storm Before the Calm Review by Stamish Malcuss In his latest offering, Storm Before the Calm, Jan Alexander invites us into a reflective…
Reviews
Eddie Henderson, Witness to History Review
Eddie Henderson, Witness to History Review Echoes of a Storied Trumpet: Eddie Henderson’s Witness to History by Icrom Bigrad Eddie Henderson’s Witness to History is a…
The Moore-McColl Jazz Society, Up and Gone Review
The Moore-McColl Jazz Society, Up and Gone Review by Stamish Malcuss The Moore-McColl Jazz Society is back with another fine album in the realm of…
John Scofield, Uncle John’s Band Review
John Scofield, Uncle John’s Band Review John Scofield’s Uncle John’s Band – A Confluence of Jazz Traditions and Sonic Experimentation by Stamish Malcuss John Scofield’s…
Laura Misch, Sample the Sky Review
Laura Misch, Sample the Sky Review Nature in Harmony: Laura Misch’s Sample the Sky by Icrom Bigrad Laura Misch’s debut album, Sample the Sky, contextualizes the thematic and…
The Black Gold Orchestra, Genesis Review
The Black Gold Orchestra, Genesis Review A Symphony of Unity: Black Gold Orchestra’s Debut Album Genesis by Stamish Malcuss Jazz is a musical genre celebrated…
Cecile McLorin Salvant, Mélusine Review
Cecile McLorin Salvant, Mélusine Review by Stamish Malcuss The allure of Cecile McLorin Salvant’s latest odyssey, Mélusine, is tantalizing and complex, as it should be for…
Jennifer Wharton’s Bonegasm, Grit & Grace Review
Jennifer Wharton’s Bonegasm, Grit & Grace Review Jennifer Wharton’s Trombone Revelations: A Deep Dive into Grit & Grace By Stamish Malcuss Bass trombonist Jennifer Wharton…
Metropolitan Jazz Octet, The Bowie Project Review
Metropolitan Jazz Octet, The Bowie Project Review Metropolitan Jazz Octet: Jazz Meets Bowie Reverent Odyssey by Jeff Becker When legends from disparate realms converge, the outcome…
Connor O’Neill, The Same Changes, Vol. II Review
Connor O’Neill, The Same Changes, Vol. II Review Finding the New in the Familiar: A Journey Through Connor O’Neill’s The Same Changes, Vol. II by…