Chris Potter, Eagle’s Point Review
Chris Potter, Eagle’s Point Review by Jeff Becker Chris Potter’s latest album, Eagle’s Point, is another outstanding addition to the modern jazz landscape, signifying a rare assembly…
Chris Potter, Eagle’s Point Review by Jeff Becker Chris Potter’s latest album, Eagle’s Point, is another outstanding addition to the modern jazz landscape, signifying a rare assembly…
Grace Kelly, At The Movies Review by Icrom Bigrad Grace Kelly’s latest project, At The Movies, is a set of music where jazz and cinematic…
Troy Roberts, Green Lights Review by Jeff Becker In the lush, ever-evolving landscape of modern jazz, few artists manage to encapsulate its rich history and…
Dave Pietro, The Talisman Review by Stamish Malcuss Dave Pietro’s latest offering, The Talisman, his debut release under the auspices of SteepleChase, a label synonymous…
Esperanza Spalding, Não Ao Marco Temporal Review by Icrom Bigrad Esperanza Spalding’s single “Não Ao Marco Temporal” is a beautiful traditional Brazilian based song, and,…
Andy Ezrin, I Was Here Review by Stamish Malcuss In the history of Jazz, the piano has long been an instrument of ubiquity and transcendence….
Paula Atherton, Dancin’ Shoes Review by Stamish Malcuss Paula Atherton’s seventh full-length album, Dancin’ Shoes, is a vibrant mosaic of contemporary smooth jazz that blends…
Willie Morris, Attentive Listening Review by Stamish Malcuss Willie Morris’ debut album, Conversation Starter, captured our attention with its youthful essence and robust musicality. Through his latest…
Seulah Noh Jazz Orchestra, NOhMad Review by Jeff Becker Seulah Noh’s debut album, NOhMAD, is a vibrant listening journey through many colors, sounds, and emotions. Noh,…
Lizz Wright, Shadow Review by Stamish Malcuss Lizz Wright’s studio album Shadow explores her vocal artistry and musical vision, set for release on April 12, 2024….