Grace Kelly, At The Movies Review
Grace Kelly, At The Movies Review by Icrom Bigrad Grace Kelly’s latest project, At The Movies, is a set of music where jazz and cinematic…
Grace Kelly, At The Movies Review by Icrom Bigrad Grace Kelly’s latest project, At The Movies, is a set of music where jazz and cinematic…
Troy Roberts, Green Lights Review by Jeff Becker In the lush, ever-evolving landscape of modern jazz, few artists manage to encapsulate its rich history and…
Dave Pietro, The Talisman Review by Stamish Malcuss Dave Pietro’s latest offering, The Talisman, his debut release under the auspices of SteepleChase, a label synonymous…
The Dave Stryker Trio, Groove Street Review Echoes of Tradition: The Dave Stryker Trio’s Modern Take on Classic Jazz in Groove Street by Jeff Becker One…
Eddie Henderson, Witness to History Review Echoes of a Storied Trumpet: Eddie Henderson’s Witness to History by Icrom Bigrad Eddie Henderson’s Witness to History is a…
The Moore-McColl Jazz Society, Up and Gone Review by Stamish Malcuss The Moore-McColl Jazz Society is back with another fine album in the realm of…
John Scofield, Uncle John’s Band Review John Scofield’s Uncle John’s Band – A Confluence of Jazz Traditions and Sonic Experimentation by Stamish Malcuss John Scofield’s…
The Black Gold Orchestra, Genesis Review A Symphony of Unity: Black Gold Orchestra’s Debut Album Genesis by Stamish Malcuss Jazz is a musical genre celebrated…
Jennifer Wharton’s Bonegasm, Grit & Grace Review Jennifer Wharton’s Trombone Revelations: A Deep Dive into Grit & Grace By Stamish Malcuss Bass trombonist Jennifer Wharton…
Affinity Trio, Hindsight Review Rhythm Without Drums: Affinity Trio’s Hindsight Unfolds an Intimate, Panoramic Jazz Landscape By Icrom Bigrad Trios are intimate, and magic will…