Eddie Henderson, Witness to History Review
Eddie Henderson, Witness to History Review Echoes of a Storied Trumpet: Eddie Henderson’s Witness to History by Icrom Bigrad Eddie Henderson’s Witness to History is a…
Eddie Henderson, Witness to History Review Echoes of a Storied Trumpet: Eddie Henderson’s Witness to History by Icrom Bigrad Eddie Henderson’s Witness to History is a…
The Moore-McColl Jazz Society, Up and Gone Review by Stamish Malcuss The Moore-McColl Jazz Society is back with another fine album in the realm of…
John Scofield, Uncle John’s Band Review John Scofield’s Uncle John’s Band – A Confluence of Jazz Traditions and Sonic Experimentation by Stamish Malcuss John Scofield’s…
The Black Gold Orchestra, Genesis Review A Symphony of Unity: Black Gold Orchestra’s Debut Album Genesis by Stamish Malcuss Jazz is a musical genre celebrated…
Jennifer Wharton’s Bonegasm, Grit & Grace Review Jennifer Wharton’s Trombone Revelations: A Deep Dive into Grit & Grace By Stamish Malcuss Bass trombonist Jennifer Wharton…
Affinity Trio, Hindsight Review Rhythm Without Drums: Affinity Trio’s Hindsight Unfolds an Intimate, Panoramic Jazz Landscape By Icrom Bigrad Trios are intimate, and magic will…
Terell Stafford, Between Two Worlds Review Album Review: Between Two Worlds by Terell Stafford By Jeff Becker The album Between Two Worlds is a musical…
Eric Lilley Trio, Three Review Harmonies of Legacy: A Journey through Eric Lilley Trio’s Three by Stamish Malcuss Bathed in the soft luminescence of Lilley’s previous…
Joe Alterman, Big Mo & Little Joe Review Big Mo & Little Joe: A Harmonious Garden of Tradition, Mentorship, and Jazz Renewal by Jeff Becker…
Darmon Meader, Losing My Mind Review Losing My Mind: Darmon Meader’s Musical Alchemy in Times of Solitude by Icrom Bigrad Darmon Meader, renowned vocalist, saxophonist,…