Vin Venezia, The Venetian Review
Vin Venezia, The Venetian Review By Icrom Bigrad Vin Venezia’s The Venetian is a guitar-fronted album built on the power of musical storytelling through the six strings….
Jazz
Chris Potter, Eagle’s Point Review
Chris Potter, Eagle’s Point Review by Jeff Becker Chris Potter’s latest album, Eagle’s Point, is another outstanding addition to the modern jazz landscape, signifying a rare assembly…
Grace Kelly, At The Movies Review
Grace Kelly, At The Movies Review by Icrom Bigrad Grace Kelly’s latest project, At The Movies, is a set of music where jazz and cinematic…
Troy Roberts, Green Lights Review
Troy Roberts, Green Lights Review by Jeff Becker In the lush, ever-evolving landscape of modern jazz, few artists manage to encapsulate its rich history and…
Dave Pietro, The Talisman Review
Dave Pietro, The Talisman Review by Stamish Malcuss Dave Pietro’s latest offering, The Talisman, his debut release under the auspices of SteepleChase, a label synonymous…
The Dave Stryker Trio, Groove Street Review
The Dave Stryker Trio, Groove Street Review Echoes of Tradition: The Dave Stryker Trio’s Modern Take on Classic Jazz in Groove Street by Jeff Becker One…
Eddie Henderson, Witness to History Review
Eddie Henderson, Witness to History Review Echoes of a Storied Trumpet: Eddie Henderson’s Witness to History by Icrom Bigrad Eddie Henderson’s Witness to History is a…
The Moore-McColl Jazz Society, Up and Gone Review
The Moore-McColl Jazz Society, Up and Gone Review by Stamish Malcuss The Moore-McColl Jazz Society is back with another fine album in the realm of…
John Scofield, Uncle John’s Band Review
John Scofield, Uncle John’s Band Review John Scofield’s Uncle John’s Band – A Confluence of Jazz Traditions and Sonic Experimentation by Stamish Malcuss John Scofield’s…
The Black Gold Orchestra, Genesis Review
The Black Gold Orchestra, Genesis Review A Symphony of Unity: Black Gold Orchestra’s Debut Album Genesis by Stamish Malcuss Jazz is a musical genre celebrated…