Marquis Hill, Composers Collective: Beyond the Jukebox Review by Stamish Malcuss Marquis Hill’s latest release, Composers Collective: Beyond the Jukebox, blends jazz tradition with today’s…
Misha Tsiganov, Painter of Dreams Review by Stamish Malcuss In Painter of Dreams, Misha Tsiganov captures the boundless spirit of modern jazz piano, weaving together…
Ian Wardenski, Unfoldings Review by Jeff Becker Ian Wardenski’s Unfoldings offers a world of jazz, where spontaneity and structure dance in a delicate balance through…
Alex Sipiagin, Horizons Review by Stamish Malcuss In today’s landscape of modern jazz, Alex Sipiagin balances the interplay of tradition and modernization with his latest…
Louis Hayes, Artform Revisited Review by Stamish Malcuss Louis Hayes, a legendary figure in the jazz community, is celebrated for his impeccable hard-bop drumming style….
Chris Rottmayer, Being Review by Jeff Becker In his fourth album, Being, jazz pianist Chris Rottmayer crafts a rich sonic journey of ten songs that…
Bria Skonberg, What It Means Review by Icrom Bigrad Bria Skonberg, the acclaimed Canadian trumpeter, vocalist, and songwriter, continues to captivate with her latest release,…
Al Di Meola, Twentyfour Review by Stamish Malcuss Al Di Meola’s latest offering, Twentyfour, reflects the enduring brilliance and versatility of one of the most…
Bill Laurance, Bloom Review by Stamish Malcuss Pianist and composer Bill Laurance has been releasing his own recordings since 2014’s Flint and has since released…
Leigh Pilzer’s Seven Pointed Star, Beatin’ the Odds Review by Jeff Becker As jazz listeners, swing is revered as the heartbeat of a golden era….