Ciara Moser, Blind. So what? Review
Ciara Moser, Blind. So what? Review By Stamish Malcuss Ciara Moser’s debut album, Blind. So what?, is a beacon of exemplary musicianship and resilience in the…
Ciara Moser, Blind. So what? Review By Stamish Malcuss Ciara Moser’s debut album, Blind. So what?, is a beacon of exemplary musicianship and resilience in the…
Deborah Silver and Steve Tyrell, That’s Life Review by Jeff Becker Deborah Silver and Steve Tyrell’s rendition of “That’s Life” is an enjoyable classic jazz…
Jeff Lorber Fusion, The Drop Review by Stamish Malcuss Jeff Lorber Fusion’s latest album, The Drop, is a solid addition to their extensive discography. This fusion…
Nubya Garcia, Fortify Review by Icrom Bigrad The latest single from Nubya Garcia, “Fortify,” shows Garcia’s evolving artistic journey. This composition is a sonic exploration…
Nic Vardanega, New Beginning Review by Stamish Malcuss Nic Vardanega’s latest offering, New Beginning, shows the Australian-born, New York-based guitarist and composer’s evolving musical identity…
The Dave Stryker Trio, Groove Street Review Echoes of Tradition: The Dave Stryker Trio’s Modern Take on Classic Jazz in Groove Street by Jeff Becker One…
Ambrose Akinmusire, Owl Song Review by Icrom Bigrad In the latest offering from trumpeter Ambrose Akinmusire, Owl Song, released under the esteemed Nonesuch Records, we find…
Darden Purcell, Love’s Got Me In A Lazy Mood Review by Jeff Becker Darden Purcell’s third album, Love’s Got Me In A Lazy Mood, is a…
Lisa Wahlandt, Seems Like Yesterday Review by Jeff Becker Lisa Wahlandt’s latest offering, Seems Like Yesterday, released on Yellowbird Records, is a vocal jazz album…
Randy Bernsen, Heart Mind and Soul Review by Jeff Becker Randy Bernsen, a seasoned artist with roots in Needham, Massachusetts, and a flourishing career in…