Bill Frisell, In My Dreams Review
Bill Frisell, In My Dreams Review by Jeff Becker More than three decades ago, guitarist Bill Frisell had a dream that transformed his relationship with music….
Bill Frisell, In My Dreams Review by Jeff Becker More than three decades ago, guitarist Bill Frisell had a dream that transformed his relationship with music….
Wanees Zarour, Silwan Review by Stamish Malcuss Silwan shows Wanees Zarour’s compositions are creative and provide the ensemble with a structural roadmap for expression. The…
Kenny Barron, Songbook Review By Stamish Malcus With Songbook, Kenny Barron positions himself as a pianist supporting a vocal ensemble exploring the structural ingenuity of…
Playing Favorites, Chris Rottmayer Review By Icrom Bigrad Playing Favorites is the kind of record where swing, lyricism, and aligned musicianship all intersect. Pianist Chris…
Joel Ross, Gospel Music Review By Jeff Becker Joel Ross Blue Note Records album Gospel Music is built on unstoppable rhythmic drive, where subdivision becomes…
Interplay Jazz Orchestra, Bite Your Tongue Review By Jeff Becker In the modern big band tradition, there are ensembles that foreground solo charisma, and there…
Donny McCaslin, Lullaby for the Lost Review by Stamish Malcus From the outset, Donny McCaslin treats Lullaby for the Lost as a pop-rock-informed jazz narrative…
Pedrito Martínez, Antonio Sánchez & Michael League, Elipsis Review By Icrom Bigrad When experiencing Elipsis, it’s clear this album isn’t organized around harmony, solos, or…
Randy Napoleon, Waking Dream: The Music of Gregg Hill and Randy Napoleon Review By Jeff Becker There is a particular discipline required to write convincingly…
Dave Stryker, Blue Fire: The Van Gelder Session Review By Jeff Becker Dave Stryker is opening 2026 swinging with Blue Fire: The Van Gelder Session….