Enrique Haneine, Conceivable Directions Review
Enrique Haneine, Conceivable Directions Review By Stamish Malcuss Enrique Haneine’s Conceivable Directions is the product of a deliberately stripped-down, chordless quintet featuring Thomas Heberer on…
Enrique Haneine, Conceivable Directions Review By Stamish Malcuss Enrique Haneine’s Conceivable Directions is the product of a deliberately stripped-down, chordless quintet featuring Thomas Heberer on…
Nicholas Payton, TRIUNE Review by Icrom Bigrad To listen to TRIUNE is to witness a convergence of three leaders, three lifelines of modern creative music,…
Shawn Purcell, Oblivity Review by Jeff Becker Shawn Purcell’s Oblivity is a natural continuation of his previous work and a marked expansion of his compositional…
Deborah Silver, Basie Rocks! Review by Icrom Bigrad Deborah Silver’s Basie Rocks! (Green Hill Records, 2025) is a high-octane meeting of classic rock and swing-era jazz…
Kenny Wheeler, Some Days Are Better: The Lost Scores Review by Icrom Bigrad Some Days Are Better: The Lost Scores is a chance to hear…
Gabriel Alegría Afro-Peruvian Sextet, El Muki Review by Icrom Bigrad Gabriel Alegría and his Afro-Peruvian Sextet mark their twentieth anniversary with El Muki. Released on…
Dan Moretti, Live at the Pump House Music Works Review By Jeff Becker When Dan Moretti stepped onstage at the Pump House Music Works with…
Art Hirahara, Peace Unknown Review by Stamish Malcuss Art Hirahara’s Peace Unknown is a vivid modern jazz program rooted in the rich history of jazz. Drawing…
Grupo Pagán, POWER! Review by Icrom Bigrad For over two decades, Grupo Pagán has been moving dance floors and turning heads with their high-octane blend…
Gonzalo Rubalcaba, Chris Potter, Larry Grenadier, Eric Harland, First Meeting: Live at Dizzy’s Club Review by Jeff Becker Great ensemble playing reveals itself in how…