Lisa Wahlandt, Seems Like Yesterday Review
Lisa Wahlandt, Seems Like Yesterday Review by Jeff Becker Lisa Wahlandt’s latest offering, Seems Like Yesterday, released on Yellowbird Records, is a vocal jazz album…
Lisa Wahlandt, Seems Like Yesterday Review by Jeff Becker Lisa Wahlandt’s latest offering, Seems Like Yesterday, released on Yellowbird Records, is a vocal jazz album…
Randy Bernsen, Heart Mind and Soul Review by Jeff Becker Randy Bernsen, a seasoned artist with roots in Needham, Massachusetts, and a flourishing career in…
Fergus McCreadie, Sketches Review by Jeff Becker Fergus McCreadie’s latest digital EP, Sketches, is a masterful demonstration of pure pianistic expression, showcasing the artist’s profound depth…
Richard Bona and Reginald Policard, Encuentro Theme Review by Icrom Bigrad In the luminescent colors of sounds of the world, “Encuentro Theme” is a confluence…
Eric McGarry, As I Am, As You Were Review by Stamish Malcuss Eric McGarry’s debut album, As I Am, As You Were, is a striking first…
Bryan Lubeck, Welcome Winter Review Bryan Lubeck’s Welcome Winter: Embracing the Season with Strings of Nostalgia by Jeff Becker Bryan Lubeck’s latest album, Welcome Winter, released…
Jan Alexander, Storm Before the Calm Review by Stamish Malcuss In his latest offering, Storm Before the Calm, Jan Alexander invites us into a reflective…
Eddie Henderson, Witness to History Review Echoes of a Storied Trumpet: Eddie Henderson’s Witness to History by Icrom Bigrad Eddie Henderson’s Witness to History is a…
The Moore-McColl Jazz Society, Up and Gone Review by Stamish Malcuss The Moore-McColl Jazz Society is back with another fine album in the realm of…
John Scofield, Uncle John’s Band Review John Scofield’s Uncle John’s Band – A Confluence of Jazz Traditions and Sonic Experimentation by Stamish Malcuss John Scofield’s…