Connor O’Neill, The Same Changes, Vol. II Review
Connor O’Neill, The Same Changes, Vol. II Review Finding the New in the Familiar: A Journey Through Connor O’Neill’s The Same Changes, Vol. II by…
Connor O’Neill, The Same Changes, Vol. II Review Finding the New in the Familiar: A Journey Through Connor O’Neill’s The Same Changes, Vol. II by…
Willie Morris, Conversation Starter Review The Future Speaks Through the Past: A Review of Willie Morris’s Conversation Starter by Jeff Becker In the intricate and…
Pete McCann, Without Question Review A Dance of Chords and Stories: ‘Without Question’ by Pete McCann – A Music Review by Stamish Malcuss A dance…
Alex Weitz, Rule of Thirds Review Jazz as a Living Dialogue: A Review of Alex Weitz’s Rule of Thirds by Jeff Becker Listen closely, fellow…
Jalen Baker, Be Still Review Be Still: Jalen Baker’s Testament to Perseverance in the Face of Ceaseless Activity by Icrom Bigrad As a lifelong devotee…
Wayne Escoffery, Like Minds Review The Alchemy of Synchrony in Wayne Escoffery’s Like Minds by Icrom Bigrad As a jazz enthusiast, scholar, and musician, I…
Patrick Cornelius, Book of Secrets Review Decoding Intervals in Time: A Journey Through Patrick Cornelius’ Book of Secrets by Jeff Becker Alto saxophonist and composer…
Daniel Hersog Jazz Orchestra, Open Spaces (Folk Songs Reimagined) Review Reimagining Folk: The Daniel Hersog Jazz Orchestra’s Expansive Journey in Open Spaces by Stamish Malcuss…
Orrin Evans, The Red Door Review Behind ‘The Red Door’: Orrin Evans’ Masterful Testimony of Personal and Musical Evolution by Icrom Bigrad In Orrin Evans’…
Jared Sims, Hellbender: The Resistance Review by Stamish Malcuss Pushing against the genre-defying sounds of traditional jazz is Jared Sims’ Hellbender: The Resistance. Sims has created…