Alex Weitz, Rule of Thirds Review
Alex Weitz, Rule of Thirds Review Jazz as a Living Dialogue: A Review of Alex Weitz’s Rule of Thirds by Jeff Becker Listen closely, fellow…
Alex Weitz, Rule of Thirds Review Jazz as a Living Dialogue: A Review of Alex Weitz’s Rule of Thirds by Jeff Becker Listen closely, fellow…
Jalen Baker, Be Still Review Be Still: Jalen Baker’s Testament to Perseverance in the Face of Ceaseless Activity by Icrom Bigrad As a lifelong devotee…
Wayne Escoffery, Like Minds Review The Alchemy of Synchrony in Wayne Escoffery’s Like Minds by Icrom Bigrad As a jazz enthusiast, scholar, and musician, I…
Patrick Cornelius, Book of Secrets Review Decoding Intervals in Time: A Journey Through Patrick Cornelius’ Book of Secrets by Jeff Becker Alto saxophonist and composer…
Daniel Hersog Jazz Orchestra, Open Spaces (Folk Songs Reimagined) Review Reimagining Folk: The Daniel Hersog Jazz Orchestra’s Expansive Journey in Open Spaces by Stamish Malcuss…
Orrin Evans, The Red Door Review Behind ‘The Red Door’: Orrin Evans’ Masterful Testimony of Personal and Musical Evolution by Icrom Bigrad In Orrin Evans’…
Jared Sims, Hellbender: The Resistance Review by Stamish Malcuss Pushing against the genre-defying sounds of traditional jazz is Jared Sims’ Hellbender: The Resistance. Sims has created…
Tadataka Unno, I Am, Because You Are Review Resilience in Harmony: Tadataka Unno’s I Am, Because You Are – A Triumph of Musical Resurgence by…
Mengamo Trio, Chat Bizarre Review by Icrom Bigrad After their critically acclaimed debut album, The One, the Mengamo Trio – comprising of guitarist Philipp Brämswig, Hammond organist…
Joe Farnsworth, In What Direction Are You Headed? Review by Jeff Becker Joe Farnsworth’s album In What Direction Are You Headed? is an exciting new chapter in…