Andy Ezrin, I Was Here Review
Andy Ezrin, I Was Here Review by Stamish Malcuss In the history of Jazz, the piano has long been an instrument of ubiquity and transcendence….
Andy Ezrin, I Was Here Review by Stamish Malcuss In the history of Jazz, the piano has long been an instrument of ubiquity and transcendence….
Willie Morris, Attentive Listening Review by Stamish Malcuss Willie Morris’ debut album, Conversation Starter, captured our attention with its youthful essence and robust musicality. Through his latest…
Seulah Noh Jazz Orchestra, NOhMad Review by Jeff Becker Seulah Noh’s debut album, NOhMAD, is a vibrant listening journey through many colors, sounds, and emotions. Noh,…
Nubya Garcia, Fortify Review by Icrom Bigrad The latest single from Nubya Garcia, “Fortify,” shows Garcia’s evolving artistic journey. This composition is a sonic exploration…
Nic Vardanega, New Beginning Review by Stamish Malcuss Nic Vardanega’s latest offering, New Beginning, shows the Australian-born, New York-based guitarist and composer’s evolving musical identity…
Ambrose Akinmusire, Owl Song Review by Icrom Bigrad In the latest offering from trumpeter Ambrose Akinmusire, Owl Song, released under the esteemed Nonesuch Records, we find…
Eric McGarry, As I Am, As You Were Review by Stamish Malcuss Eric McGarry’s debut album, As I Am, As You Were, is a striking first…
Connor O’Neill, The Same Changes, Vol. II Review Finding the New in the Familiar: A Journey Through Connor O’Neill’s The Same Changes, Vol. II by…
Willie Morris, Conversation Starter Review The Future Speaks Through the Past: A Review of Willie Morris’s Conversation Starter by Jeff Becker In the intricate and…
Pete McCann, Without Question Review A Dance of Chords and Stories: ‘Without Question’ by Pete McCann – A Music Review by Stamish Malcuss A dance…