Troy Roberts, Green Lights Review
Troy Roberts, Green Lights Review by Jeff Becker In the lush, ever-evolving landscape of modern jazz, few artists manage to encapsulate its rich history and…
Modern Jazz
Dave Pietro, The Talisman Review
Dave Pietro, The Talisman Review by Stamish Malcuss Dave Pietro’s latest offering, The Talisman, his debut release under the auspices of SteepleChase, a label synonymous…
Andy Ezrin, I Was Here Review
Andy Ezrin, I Was Here Review by Stamish Malcuss In the history of Jazz, the piano has long been an instrument of ubiquity and transcendence….
Willie Morris, Attentive Listening Review
Willie Morris, Attentive Listening Review by Stamish Malcuss Willie Morris’ debut album, Conversation Starter, captured our attention with its youthful essence and robust musicality. Through his latest…
Seulah Noh Jazz Orchestra, NOhMad Review
Seulah Noh Jazz Orchestra, NOhMad Review by Jeff Becker Seulah Noh’s debut album, NOhMAD, is a vibrant listening journey through many colors, sounds, and emotions. Noh,…
Nubya Garcia, Fortify Review
Nubya Garcia, Fortify Review by Icrom Bigrad The latest single from Nubya Garcia, “Fortify,” shows Garcia’s evolving artistic journey. This composition is a sonic exploration…
Nic Vardanega, New Beginning Review
Nic Vardanega, New Beginning Review by Stamish Malcuss Nic Vardanega’s latest offering, New Beginning, shows the Australian-born, New York-based guitarist and composer’s evolving musical identity…
Ambrose Akinmusire, Owl Song Review
Ambrose Akinmusire, Owl Song Review by Icrom Bigrad In the latest offering from trumpeter Ambrose Akinmusire, Owl Song, released under the esteemed Nonesuch Records, we find…
Eric McGarry, As I Am, As You Were Review
Eric McGarry, As I Am, As You Were Review by Stamish Malcuss Eric McGarry’s debut album, As I Am, As You Were, is a striking first…
Connor O’Neill, The Same Changes, Vol. II Review
Connor O’Neill, The Same Changes, Vol. II Review Finding the New in the Familiar: A Journey Through Connor O’Neill’s The Same Changes, Vol. II by…