Walter Smith III, Three of Us Are from Houston and Reuben Is Not Review
Walter Smith III, Three of Us Are from Houston and Reuben Is Not Review by Icrom Bigrad Walter Smith III’s sophomore Blue Note release, Three…
Walter Smith III, Three of Us Are from Houston and Reuben Is Not Review by Icrom Bigrad Walter Smith III’s sophomore Blue Note release, Three…
Simon Moullier, Elements of Light Review by Icrom Bigrad In Elements of Light, Simon Moullier skillfully bridges tradition and modernity, introducing a unique blend of…
Marquis Hill, Composers Collective: Beyond the Jukebox Review by Stamish Malcuss Marquis Hill’s latest release, Composers Collective: Beyond the Jukebox, blends jazz tradition with today’s…
Ian Wardenski, Unfoldings Review by Jeff Becker Ian Wardenski’s Unfoldings offers a world of jazz, where spontaneity and structure dance in a delicate balance through…
Chris Rottmayer, Being Review by Jeff Becker In his fourth album, Being, jazz pianist Chris Rottmayer crafts a rich sonic journey of ten songs that…
Jeremy Pelt, Tomorrow’s Another Day Review by Jeff Becker In his twenty-fourth album as a leader, trumpeter, and composer, Jeremy Pelt embarks on a daring…
Antonio Faraò, Tributes Review by Jeff Becker Antonio Faraò’s latest album, Tributes, the gifted pianist, pays homage to the giants who have inspired his illustrious…
Denin Slage-Koch, It Comes in Waves Review by Jeff Becker Denin Slage-Koch’s release, It Comes in Waves, is a palpable jazz listen. With It Comes…
Eric Alexander, Timing Is Everything Review by Jeff Becker In the ever-evolving landscape of contemporary jazz, Eric Alexander’s latest release, Timing Is Everything, emerges as…
Melissa Aldana, Echoes of The Inner Prophet Review by Stamish Malcuss Melissa Aldana’s latest offering, Echoes of The Inner Prophet, sounds with the energy of Her…