Al Di Meola, Twentyfour Review
Al Di Meola, Twentyfour Review by Stamish Malcuss Al Di Meola’s latest offering, Twentyfour, reflects the enduring brilliance and versatility of one of the most…
Al Di Meola, Twentyfour Review by Stamish Malcuss Al Di Meola’s latest offering, Twentyfour, reflects the enduring brilliance and versatility of one of the most…
Sticky Wicked, Nightfall Review by Icrom Bigrad Coming from the mindset of electric jazz, jazz-rock, and funk, Sticky Wicked is a compelling new ensemble with…
Ciara Moser, Blind. So what? Review By Stamish Malcuss Ciara Moser’s debut album, Blind. So what?, is a beacon of exemplary musicianship and resilience in the…
Jeff Lorber Fusion, The Drop Review by Stamish Malcuss Jeff Lorber Fusion’s latest album, The Drop, is a solid addition to their extensive discography. This fusion…
Randy Bernsen, Heart Mind and Soul Review by Jeff Becker Randy Bernsen, a seasoned artist with roots in Needham, Massachusetts, and a flourishing career in…
John Scofield, Uncle John’s Band Review John Scofield’s Uncle John’s Band – A Confluence of Jazz Traditions and Sonic Experimentation by Stamish Malcuss John Scofield’s…
Mehdi Nabti & Prototype, Continuum Review Continuum: A Musical Gumbo of World Influences, Modern Jazz, and Soul-Stirring Innovation by Icrom Bigrad Greetings, jazz aficionados, and melody seekers!…
Marc Ciprut, Blue House Review Marc Ciprut’s Blue House: A Vivid Fusion Expression by Icrom Bigrad Marc Ciprut, guitarist, songwriter, and producer, has always found…
Jeff Richman, XYZ Review Jeff Richman’s “XYZ” – A Vibrant Harmony of Fusion and Flamboyance by Icrom Bigrad Jeff Richman’s latest work, XYZ, feels like…
Eric Krasno & Stanton Moore, Krasno Moore Project: Book of Queens Review by Stamish Malcuss Guitarist Eric Krasno (Lettuce, Soulive) and drummer Stanton Moore (Galactic,…