Tord Gustavsen Trio, Seeing Review
Tord Gustavsen Trio, Seeing Review by Stamish Malcuss With Seeing, Tord Gustavsen returns to the trio format that has garnered critical acclaim since his debut…
Tord Gustavsen Trio, Seeing Review by Stamish Malcuss With Seeing, Tord Gustavsen returns to the trio format that has garnered critical acclaim since his debut…
Marquis Hill, Composers Collective: Beyond the Jukebox Review by Stamish Malcuss Marquis Hill’s latest release, Composers Collective: Beyond the Jukebox, blends jazz tradition with today’s…
Ian Wardenski, Unfoldings Review by Jeff Becker Ian Wardenski’s Unfoldings offers a world of jazz, where spontaneity and structure dance in a delicate balance through…
Bill Laurance, Bloom Review by Stamish Malcuss Pianist and composer Bill Laurance has been releasing his own recordings since 2014’s Flint and has since released…
Julius Rodriguez, Evergreen Review by Stamish Malcuss Multi-instrumentalist and composer Julius Rodriguez has crafted his artistry with various sounds and styles. At 23, the Westchester…
Nubya Garcia, Fortify Review by Icrom Bigrad The latest single from Nubya Garcia, “Fortify,” shows Garcia’s evolving artistic journey. This composition is a sonic exploration…
Bryan Lubeck, Welcome Winter Review Bryan Lubeck’s Welcome Winter: Embracing the Season with Strings of Nostalgia by Jeff Becker Bryan Lubeck’s latest album, Welcome Winter, released…
The Moore-McColl Jazz Society, Up and Gone Review by Stamish Malcuss The Moore-McColl Jazz Society is back with another fine album in the realm of…
Jared Sims, Hellbender: The Resistance Review by Stamish Malcuss Pushing against the genre-defying sounds of traditional jazz is Jared Sims’ Hellbender: The Resistance. Sims has created…
Noga Ritter, Ima Review by Triana Klostman From the vibrant creative hub of London’s music scene emerges the eclectic singer-songwriter Noga Ritter, who, with her 9-piece…