Nubya Garcia, Fortify Review
Nubya Garcia, Fortify Review by Icrom Bigrad The latest single from Nubya Garcia, “Fortify,” shows Garcia’s evolving artistic journey. This composition is a sonic exploration…
Nubya Garcia, Fortify Review by Icrom Bigrad The latest single from Nubya Garcia, “Fortify,” shows Garcia’s evolving artistic journey. This composition is a sonic exploration…
Bryan Lubeck, Welcome Winter Review Bryan Lubeck’s Welcome Winter: Embracing the Season with Strings of Nostalgia by Jeff Becker Bryan Lubeck’s latest album, Welcome Winter, released…
The Moore-McColl Jazz Society, Up and Gone Review by Stamish Malcuss The Moore-McColl Jazz Society is back with another fine album in the realm of…
Jared Sims, Hellbender: The Resistance Review by Stamish Malcuss Pushing against the genre-defying sounds of traditional jazz is Jared Sims’ Hellbender: The Resistance. Sims has created…
Noga Ritter, Ima Review by Triana Klostman From the vibrant creative hub of London’s music scene emerges the eclectic singer-songwriter Noga Ritter, who, with her 9-piece…
Christopher McBride, Ramon Review by Icrom Bigrad Harlem-based saxophonist Christopher McBride is a versatile musician of many talents, ranging from education and composition to an…
Lorraine Desmarais Jazz Trio, Street Beat Suite Review by Icrom Bigrad Lorraine Desmarais is a pianist and composer known in Canada, the USA, Europe, Mexico,…
Julian Lage, View With A Room Review by Icrom Bigrad Guitarist Julian Lage returns with his second album for Blue Note Records, titled View With A…
Damani Phillips, No More Apologies Review by Stamish Malcuss Damani Phillips is back with an album that he describes as “an album of Black music…
Trombone Shorty, Lifted Review by Jeff Becker Trombone Shorty is releasing his latest album called Lifted, the multi-instrumentalist and vocalist’s first album in 5 years…