Tord Gustavsen Trio, Seeing Review
Tord Gustavsen Trio, Seeing Review by Stamish Malcuss With Seeing, Tord Gustavsen returns to the trio format that has garnered critical acclaim since his debut…
Tord Gustavsen Trio, Seeing Review by Stamish Malcuss With Seeing, Tord Gustavsen returns to the trio format that has garnered critical acclaim since his debut…
Dharma Down, Owl Dreams Review by Jeff Becker On their debut album, Owl Dreams, Dharma Down delves into a space where modern jazz and ancient…
Walter Smith III, Three of Us Are from Houston and Reuben Is Not Review by Icrom Bigrad Walter Smith III’s sophomore Blue Note release, Three…
The CNY Jazz Orchestra, If a White Horse from Jerusalem Review by Stamish Malcuss The Central New York Jazz Orchestra’s latest release, If a White…
Simon Moullier, Elements of Light Review by Icrom Bigrad In Elements of Light, Simon Moullier skillfully bridges tradition and modernity, introducing a unique blend of…
Marquis Hill, Composers Collective: Beyond the Jukebox Review by Stamish Malcuss Marquis Hill’s latest release, Composers Collective: Beyond the Jukebox, blends jazz tradition with today’s…
Misha Tsiganov, Painter of Dreams Review by Stamish Malcuss In Painter of Dreams, Misha Tsiganov captures the boundless spirit of modern jazz piano, weaving together…
Ian Wardenski, Unfoldings Review by Jeff Becker Ian Wardenski’s Unfoldings offers a world of jazz, where spontaneity and structure dance in a delicate balance through…
Alex Sipiagin, Horizons Review by Stamish Malcuss In today’s landscape of modern jazz, Alex Sipiagin balances the interplay of tradition and modernization with his latest…
Louis Hayes, Artform Revisited Review by Stamish Malcuss Louis Hayes, a legendary figure in the jazz community, is celebrated for his impeccable hard-bop drumming style….