Alexa Tarantino, The Roar and the Whisper Review
Alexa Tarantino, The Roar and the Whisper Review by Jeff Becker With The Roar and the Whisper, Alexa Tarantino unveils her fifth studio album and…
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Dee Dee Bridgewater & Bill Charlap, Elemental Review
Dee Dee Bridgewater & Bill Charlap, Elemental Review by Stamish Malcuss The art of the duo album is one of the most exposed and intimate…
Wayne Alpern, Gotham Review
Wayne Alpern, Gotham Review by Icrom Bigrad Wayne Alpern’s Gotham presents a compelling exploration of familiar melodies through his distinctive compositional lens. By reimagining thirteen…
Jaleel Shaw, Painter of the Invisible Review
Jaleel Shaw, Painter of the Invisible Review by Icrom Bigrad Jaleel Shaw is back after a 13-year hiatus with a contemporary spiritual jazz purpose. Painter…
Kieran Brown, Loving You Review
Kieran Brown, Loving You Review By Stamish Malcuss For those who believe the American Songbook is a living tradition, not a museum piece, Kieran Brown’s…
Joshua Redman, Worlds Fall Short Review
Joshua Redman, Worlds Fall Short Review By Jeff Becker Joshua Redman’s Words Fall Short offers a compositionally unified set of eight Redman originals. The writing and…
Dave Anderson, In Lieu of Flowers Review
Dave Anderson, In Lieu of Flowers Review by Stamish Malcuss In memorial and in motion, this is the elegant dialectic at the heart of In…
The Beveled Edges, I Guess We’re Not Alone Review
The Beveled Edges, I Guess We’re Not Alone Review by Icrom Bigrad Born from a cold New York afternoon and warmed by a shared creative flame,…
Gaia Wilmer & Ra Kalam Bob Moses, Dancing with Elephants Review
Gaia Wilmer & Ra Kalam Bob Moses, Dancing with Elephants Review By Jeff Becker Gaia Wilmer and Ra Kalam Bob Moses’ collaboration, Dancing with Elephants,…
The Mighty Mocambos, A Higher Frequency Review
The Mighty Mocambos, A Higher Frequency Review By Icrom Bigrad The Mighty Mocambos play funk. They breathe it, stretch it, and baptize it in jazz…