Rodney Whitaker, Mosaic: The Music of Gregg Hill Review
Rodney Whitaker, Mosaic: The Music of Gregg Hill Review by Stamish Malcuss Rodney Whitaker, a towering figure in jazz bass performance and education, has long…
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John Patitucci, Spirit Fall Review
John Patitucci, Spirit Fall Review by Jeff Becker John Patitucci’s latest release, Spirit Fall, marks an exciting new phase in his already illustrious career. Recorded…
Maria Puga Lareo, My Universe Review
Maria Puga Lareo, My Universe Review by Stamish Malcuss Maria Puga Lareo makes a striking stateside debut with My Universe, a project with movements of…
Larry Goldings, I Will Review
Larry Goldings, I Will Review by Icrom Bigrad Larry Goldings possesses a distinctive voice on the organ and piano. For over three decades, his reputation…
Omer Leshem, Play Space Review
Omer Leshem, Play Space Review by Jeff Becker Omer Leshem’s third studio album, Play Space, brings his original musical narrative alive through nine of his…
Out Of/Into, Motion I Review
Out Of/Into, Motion I Review By Jeff Becker Jazz continually reinvents itself as each new generation of musicians explores how the jazz cannon can form…
Ludivine Issambourg, Above the Laws Review
Ludivine Issambourg, Above the Laws Review by Icrom Bigrad Above the Laws is a vibrant and adventurous record that melds Ludivine Issambourg’s masterful flute work…
Juan Perea, Lightkeeper Review
Juan Perea, Lightkeeper Review by Jeff Becker Juan Perea’s Lightkeeper represents a project built from perseverance, passion, and the unyielding spark of musical devotion. At…
Ryan Middagh Jazz Orchestra, Tenor Madness Review
Ryan Middagh Jazz Orchestra, Tenor Madness Review by Icrom Bigrad The Nashville jazz scene adds another big band jewel to its crown with the January…
Renee Rosnes, Crossing Paths Review
Renee Rosnes, Crossing Paths Review Renee Rosnes’ Crossing Paths — A Bold Journey into Brazilian Jazz by Icrom Bigrad Renee Rosnes has long stood as…