Eric Alexander, Timing Is Everything Review
Eric Alexander, Timing Is Everything Review by Jeff Becker In the ever-evolving landscape of contemporary jazz, Eric Alexander’s latest release, Timing Is Everything, emerges as…
Eric Alexander, Timing Is Everything Review by Jeff Becker In the ever-evolving landscape of contemporary jazz, Eric Alexander’s latest release, Timing Is Everything, emerges as…
Olivia Foschi, A Window Within Review by Icrom Bigrad Olivia Foschi delivers personal narratives into the fabric of her music that intricately and emotively will…
Alexis Valet, Following the Sun Review by Icrom Bigrad In the fall of 2022, French jazz vibraphonist Alexis Valet embarked on a journey that would…
Mariah Parker, Windows Through Time Review by Jeff Becker Mariah Parker’s latest album, Windows Through Time, explores Latin jazz, weaving together memorable compositions, a stellar ensemble,…
Lis Wessberg, Twain Walking Review by Stamish Malcuss Danish trombonist Lis Wessberg, a stalwart of the jazz scene, returns with her sophomore album, Twain Walking, released…
Jon Menges, Spirit of 3, Spirit of 4 Review by Icrom Bigrad Spirit of 3, Spirit of 4 marries the intimate dialogues of a trio…
Melissa Aldana, Echoes of The Inner Prophet Review by Stamish Malcuss Melissa Aldana’s latest offering, Echoes of The Inner Prophet, sounds with the energy of Her…
Brian Bromberg, LaFaro Review by Jeff Becker In the annals of jazz history, specific figures stand as titans, their contributions reverberating through the ages. Scott…
Pat Bianchi, Three Review by Jeff Becker Pat Bianchi’s album Three presents a unique fusion of traditional jazz influences with a fresh, innovative approach, a departure from…
Danette McMahon, No More Excuses Review by Stamish Malcuss Danette McMahon’s debut jazz album, No More Excuses, is a self-released collection of songs that represents…