Daniel Hersog Jazz Orchestra, Open Spaces (Folk Songs Reimagined) Review Reimagining Folk: The Daniel Hersog Jazz Orchestra’s Expansive Journey in Open Spaces by Stamish Malcuss…
Orrin Evans, The Red Door Review Behind ‘The Red Door’: Orrin Evans’ Masterful Testimony of Personal and Musical Evolution by Icrom Bigrad In Orrin Evans’…
Griffin Woodard Group, Completion Review by Stamish Malcuss The Griffin Woodard Group, a close-knit ensemble of accomplished musicians, has embarked on a journey of shared…
Cecilie Strange, Beyond Review by Jeff Becker In her latest oeuvre, Cecilie Strange delves into the introspective realms of sound, rendering Beyond a poignant tribute to…
Jared Sims, Hellbender: The Resistance Review by Stamish Malcuss Pushing against the genre-defying sounds of traditional jazz is Jared Sims’ Hellbender: The Resistance. Sims has created…
David Hazeltine, Blues for Gerry Review by Icrom Bigrad Blues for Gerry marks David Hazeltine’s return to the Criss Cross and serves as a homage…
Tadataka Unno, I Am, Because You Are Review Resilience in Harmony: Tadataka Unno’s I Am, Because You Are – A Triumph of Musical Resurgence by…
Mengamo Trio, Chat Bizarre Review by Icrom Bigrad After their critically acclaimed debut album, The One, the Mengamo Trio – comprising of guitarist Philipp Brämswig, Hammond organist…
Noga Ritter, Ima Review by Triana Klostman From the vibrant creative hub of London’s music scene emerges the eclectic singer-songwriter Noga Ritter, who, with her 9-piece…
Sergi Felipe, Biased Vision Review by Stamish Malcuss In the vibrant world of the European Jazz scene, Sergi Felipe is building a reputation for innovation,…