Danette McMahon, No More Excuses Review
Danette McMahon, No More Excuses Review by Stamish Malcuss Danette McMahon’s debut jazz album, No More Excuses, is a self-released collection of songs that represents…
Danette McMahon, No More Excuses Review by Stamish Malcuss Danette McMahon’s debut jazz album, No More Excuses, is a self-released collection of songs that represents…
Esperanza Spalding, Não Ao Marco Temporal Review by Icrom Bigrad Esperanza Spalding’s single “Não Ao Marco Temporal” is a beautiful traditional Brazilian based song, and,…
Lizz Wright, Shadow Review by Stamish Malcuss Lizz Wright’s studio album Shadow explores her vocal artistry and musical vision, set for release on April 12, 2024….
Deborah Silver and Steve Tyrell, That’s Life Review by Jeff Becker Deborah Silver and Steve Tyrell’s rendition of “That’s Life” is an enjoyable classic jazz…
Darden Purcell, Love’s Got Me In A Lazy Mood Review by Jeff Becker Darden Purcell’s third album, Love’s Got Me In A Lazy Mood, is a…
Lisa Wahlandt, Seems Like Yesterday Review by Jeff Becker Lisa Wahlandt’s latest offering, Seems Like Yesterday, released on Yellowbird Records, is a vocal jazz album…
Laura Misch, Sample the Sky Review Nature in Harmony: Laura Misch’s Sample the Sky by Icrom Bigrad Laura Misch’s debut album, Sample the Sky, contextualizes the thematic and…
Cecile McLorin Salvant, Mélusine Review by Stamish Malcuss The allure of Cecile McLorin Salvant’s latest odyssey, Mélusine, is tantalizing and complex, as it should be for…
Metropolitan Jazz Octet, The Bowie Project Review Metropolitan Jazz Octet: Jazz Meets Bowie Reverent Odyssey by Jeff Becker When legends from disparate realms converge, the outcome…
Kane Kalas, High Hopes Review High Hopes: Kane Kalas Revives the Golden Age with a Contemporary Twist By Stamish Malcuss In the musical sphere, it’s…